RMERG5FK–Breastplate of high priest. The Bible, Exodus XXVII, 15-17: ' And thou shalt make the breastplate of judgement with cunning
RMMBD4EN–Jewish Mythology and religion. The High Priest with the sacred breastplate of twelve stones in front of the Menorah. Lithograph from Mackey's History of Freemasonry.
RMERGMTB–Breastplate of the High Priest with Hebrew inscription of the names of the twelve tribes. Directions for making the breastplate appear in Exodus xxviii 13 - 30 and xxxix 8 -21.
RMC5GP6D–Traveling presentation of the Mosaic Tabernacle the Biblical Hebrews moved about with in their desert wanderings--High Priest
RF2HDEGB6–Ark of the Covenant construction and Christian high priest pictogram and icons. Vector illustrations of the Ark of Covenant from Hebrew Bible with peo
RMJ4298E–LEV 8 High priest in robes and breastplate
RMP5NFEB–Peoples of the Caucasus mountains: Tungus priest, inhabitants of Turkestan in front of a tent, and Circassian man and prince in chain-mail armour on horseback. Handcoloured lithograph from Friedrich Wilhelm Goedsche's 'Vollstaendige Völkergallerie in getreuen Abbildungen' (Complete Gallery of Peoples in True Pictures), Meissen, circa 1835-1840. Goedsche (1785-1863) was a German writer, bookseller and publisher in Meissen. Many of the illustrations were adapted from Bertuch's 'Bilderbuch fur Kinder' and others.
RMERG5AB–Breastplate of high priest. The Bible, Exodus XXVII, 15-17: ' And thou shalt make the breastplate of judgement with cunning
RMBH3G76–Israel, the Tabernacle in the Wilderness, the replica in Timna Valley, the High Priest
RF2G2815X–Depiction of a Jewish High Priest with the Holy of Holies in the background.
RMERGRDW–Breastplate of the High Priest with Hebrew inscription of the names of the twelve tribes. Directions for making the breastplate appear in Exodus xxviii 13 - 30 and xxxix 8 -21.
RF2H2HN2N–The High Priest, with his Ephod and Breastplate, Entering the Holy Place from ' The Doré family Bible ' containing the Old and New Testaments, The Apocrypha Embellished with Fine Full-Page Engravings, Illustrations and the Dore Bible Gallery. Published in Philadelphia by William T. Amies in 1883
RMRJCM76–Jewish Priest wearing traditional clothing
RM2M6HNKK–Ancient Egypt. From left to right; 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9-10: costume adhered to the body with long narrow sleeves, 11-12: ornate apron for kings and priests. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RF2BDXM4P–Archdruid Ceremonial Robe
RM2E0XHGT–LEV 8- High priest in robes and breastplate.
RMCC18GP–The Lion of Judah and The Breastplate of The High Priest, Symbol of The Tribe of Levi, Stained Glasses, London Synagogue, UK
RM2WKD9YR–Judaism. House of the Lord. The Ark and furniture of the Temple (altar, table...). Engraving.
RM2WBM60E–Illustration of Aaron Staying the Plague Standing between the Dead and the Living Offering Incense and Made Atonement for the People from painting by
RM2CE2T8G–. Sacred geography, and antiquities . PLAN OF THE TABERNACLK.. HIGH-PRIEST AND BREASTPLATE. THE TABEENACLE AND ITS FUENITURE. 543 each socket for receiving the tenon. These walls were faiiherstrengthened on the outside by bars running crosswise throughrings of gold. S/nlihn-wood was employed for the woodwork of the tabernacle and itsfurniture throughout. It is agreed on all hands that this was a speciesof acacia, growing in the Arabian peninsula. No acacia-trees are foundin this region at present large enough to furnish x^lanks of the length andwidth ascribed to the boards of the tabernacle—te
RM2HHJ9EW–A priest talks to a French Cuirassiers in a corn field on the Belgium - France border. Circa August 1914
RMR59J8B–Aaron the High Priest wearing a long, blue robe with a golden breastplate inscribed the breastplate of judgement. At his feet are the two master artisans Bezalel on the right, and Aholiab on the left. . North French Miscellany. North France, c.1280. Source: Add. 11639, f.523. Author: Benjamin.
RMC5GP4C–Traveling presentation of the Mosaic Tabernacle the Biblical Hebrews moved about with in their desert wanderings--High Priest
RM2HHJHYX–A priest talks to a French Cuirassiers in a corn field on the Belgium - France border. Circa August 1914
RM2T04M4R–Nineteenth century Victorian Bible story illustration in Chromo-Lithography, High Priest with his Ephod and Breastplate in the Holy Place
RMPP6PYT–Pedro de La Gasca, The Peacemaker (1493-1567). Spanish priest, politician and military. Knight of the Order of Santiago. Engraving by Paris. The Spanish and American Illustration, 1876.
RM2RH66YD–Ancient Egypt. From left to right; 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9-10: costume adhered to the body with long narrow sleeves, 11-12: ornate apron for kings and priests. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RMBH3G8T–Israel, the Tabernacle in the Wilderness, the replica in Timna Valley, the High Priest and the altar of incense
RM2M6HNJY–Ancient Egypt. From left to right; 5: animal skin used as a cape, 6: costume adhered to the body with long narrow sleeves, 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RM2AN2927–A dictionary of the Bible.. . as the voice of the Lord. Ex.520 9 : 28 ; Job 28 : 26 ; 37 : 3, 5 ; 38 : 25 ;40:9. LIGN-ALOES. See Aloes. LIGURE. There is more difficultyin identifying this stone than any otherin the breastplate of the high priest,Ex. 28 : 19. No mineral is at the pres-ent day known by this name. Some highauthorities suppose that the ligure isamber because Pliny and Theophrastusmention that amber is found in Liguria,whence this name might naturally be de-rived. But it is objected that amber wastoo soft for permanent engraving. Theopinion that the ligure was red tourma-line or ru
RMR5CHTN–Bas-de-page scene of Paul being struck from his horse and blinded by lightning whilst en route to take letters to Damascus, as requested by the High Priest, with soldiers and horses rearing on either side. Psalter ('The Queen Mary Psalter'). England (London/Westminster or East Anglia?); between 1310 and 1320. Source: Royal 2 B. VII, f.241. Language: Latin, with French image captions.
RMPP4YAG–Pedro de La Gasca, The Peacemaker (1493-1567). Spanish priest, politician and military. Knight of the Order of Santiago. Engraving by Capuz. The Spanish and American Illustration, 1892.
RM2RH66YH–Ancient Egypt. From left to right; 5: animal skin used as a cape, 6: costume adhered to the body with long narrow sleeves, 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9: costume adhered to the body with long narrow sleeves. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RF2WA672Y–Ancient Egypt. From left to right; 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9-10: costume adhered to the body with
RM2WA6726–Ancient Egypt. From left to right; 5: animal skin used as a cape, 6: costume adhered to the body with long narrow sleeves, 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RM2M6HNMK–Ancient Egypt. From left to right; 5: animal skin used as a cape, 6: costume adhered to the body with long narrow sleeves, 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9: costume adhered to the body with long narrow sleeves. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RM2CPGGNF–. The mystic test book; or, The magic of the cards. Giving the mystic meaning of these wonderful and ancient emblems in their relationship to the heavenly bodies, under all conditions; with rules and processes for reading or delineating the emblems . THE TWELVE DISCIPLES. Venus, in the heart quarter, representing love and friend-ship; Terra, the Earth, power under clubs; Neptune, repre-senting the diamond quarter, as a diamond ruler; Saturnagain signifying death. The next cut represents the twelve stones in the breastplate of the High Priest. There are just seven stones, ruledby the seven plan
RMR5FC2W–Memory and the Pilgrim. Les Trois Pèlerinages. Circa 1400. (Miniature) Memory offers armour to the Pilgrim. From the Pèlerinage de Vie Humaine. Image taken from Les Trois Pèlerinages. Originally published/produced in Circa 1400. . Source: Add. 38120, f.73. Language: French.
RMP6G300–John Ball, Lollard priest, on horseback, encouraging Wat Tyler (far left) and his rebels during the Peasants' Revolt of 1381. Banners of England and St. George. Handcoloured lithograph after an illuminated manuscript from Sir John Froissart's 'Chronicles of England, France, Spain and the Adjoining Countries, from the Latter Part of the Reign of Edward II to the Coronation of Henry IV,' George Routledge, London, 1868.
RM2CE0X8K–. The Holy Bible according to the Authorized version : with notes, explanatory and practical ; taken principally from the most eminent writers of the United Church of England and Ireland, together with appropriate introductions, tables, indexes, and maps . et. 12.—for stones of memorial] For a sign wherebythe children of Israel may know that their memory is pre-sented to God/and that they are had in remembrance ofGod. Bp. Hall. A memorial both with reference toGod, ver. 29, and also to the priest, who was thereby putin mind of the concerns of the people. Bp. Kidder. 15. — breastplate of judgme
RMR54F9F–Historiated initial 'A' showing an abbot confronting an apostate monk, armed with a sword and buckler shield, whose habit lies on the ground. Omne Bonum. England (London); 1360-1375. (Detail) Historiated initial 'A' showing an abbot confronting an apostate monk, armed with sword and buckler shield, whose habit lies on the ground. Image taken from Omne Bonum. Originally published/produced in England (London); 1360-1375. . Source: Royal 6 E. VI, f.115. Language: Latin. Author: JAMES LE PALMER.
RM2M75XK3–Ancient Egypt. From left to right; 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9-10: costume adhered to the body with long narrow sleeves, 11-12: ornate apron for kings and priests. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RM2CHY0CX–. A comprehensive dictionary of the Bible . Egyptian Cuirasses.—From Wilkinson.—(Fbn. ix. 9, 17 ; figuratively in Eph. vi. 14 ; 1 Tu. v. 8; inLXX. for shirydn, &c. The breastplate orcuirass,covered the body from the neck to the thighs, andconsisted of two parts, one covering the front, theother the back (Rbn. A7. T. Lex. It was of bronze(Brass), iron, sometimes of gold, &c. (High-priest.)—2. The Heb. tahrd or tachrd, in A. V. habergeon (i. e. a quilted shirt or doublet put on over the head),is mentioned but twice—in reference to the gown ofthe high-priest (Ex. xxviii. 32, xxxix. 23). Gesenius
RMR5JE8J–Miniature of Pope Gregory XI. Vaticinia de Pontificibus. Italy, Central (Florence); 2nd quarter of the 15th century. Source: Harley 1340, f.7v. Language: Latin.
RM2M75XKP–Ancient Egypt. From left to right; 5: animal skin used as a cape, 6: costume adhered to the body with long narrow sleeves, 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RM2CHY0DX–. A comprehensive dictionary of the Bible . Egyptian Cuirasses.—From Wilkinson.—(Fbn. ix. 9, 17 ; figuratively in Eph. vi. 14 ; 1 Tu. v. 8; inLXX. for shirydn, &c. The breastplate orcuirass,covered the body from the neck to the thighs, andconsisted of two parts, one covering the front, theother the back (Rbn. A7. T. Lex. It was of bronze(Brass), iron, sometimes of gold, &c. (High-priest.)—2. The Heb. tahrd or tachrd, in A. V. habergeon (i. e. a quilted shirt or doublet put on over the head),is mentioned but twice—in reference to the gown ofthe high-priest (Ex. xxviii. 32, xxxix. 23). Gesenius
RMR5CG0F–Illustration prefacing the table of contents. In the centre, a monumental figure of an ecclesiastic, dressed in green amice, blue chasuble and red stole, holds a spear in his right hand and a book in his left, and stands on a lion that bites the spear. He is flanked by two smaller figures; a soldier with a round shield and a scroll, and a monk offering a book; there are two yellow curtains drawn aside in the background. The figures are surrounded by a 'Winchester' type border of acanthus decoration with corner bosses. Old English Herbal. Christ Church, Canterbury; early 11th century. Source: C
RM2M75XK1–Ancient Egypt. From left to right; 5: animal skin used as a cape, 6: costume adhered to the body with long narrow sleeves, 7: priestess in ceremonial costume, 8: breastplate or chain-mail of scales, 9: costume adhered to the body with long narrow sleeves. Chromolithography. 'Historia Universal' (Universal History), by Cesar Cantu. Volume I, 1881.
RM2CHWJC9–. A comprehensive dictionary of the Bible . were baked on a pan ; such cakes appeared to havebeen chiefly used as sacred offerings (Lev. ii. 5, vi.21 [Heb. 14], vii. 9 ; 1 Chr. xxiii. 29). A similarcooking utensil was used by Tamar (2 Sam. xiii. 9).A different kind of bread, probably resembling theftita of the Bedouins, a pasty substance, was pre-pared in a saucepan (frying-pan, A. V.); this wasalso reserved for sacred offerings (Lev. ii. 7; vii. 9).Shewbread. Breastplate. Arms, II. 1; High-Priest, I. 2, a. * Breeches. High-Priest ; Priest. * Brethren. Brother. * Bribe. Magistrates were expres
RMP52MTC–Madrid, M.A.N. Arte Egipcio. Momia de la época Ptolemaica de un sacerdote de Imhotep, llamado Nespamedu, vendida por Bauer (1925) y cubierta de cartonajes de oro. Museum: MUSEO ARQUEOLOGICO.
RMP7F5N2–Khosrau II the victorius. Riegned 591-628. Iran, Kermanshah province, Taq-e Bostan. Iran. Sassanid Empire.
RMP4XGKJ–Charlemagne (742-814). King of the Franks (768-814,) the Lombards (774-814) and emperor of the Romans (800-814). Miniature. Charlemagne and paladins fighting against priests. 13th century.
RMPP857A–Peter Paul Rubens (1628-1629). Flemish painter. The Meeting of Abraham and Mechizedek, ca.1625. Prado Museum. Madrid. Spain.
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