The plants used to make the world’s best mezcal are disappearing

Soaring demand is draining Mexico of its wild agave

Soaring demand is draining Mexico of its wild agave

The hunt for one of the world’s most precious plants begins at the base of a mountain covered in dense brush, concealing the treasure that — with any luck — lies somewhere up the slope.

Today, it’s Pablo Santiago Martínez, armed with his machete, preparing to whack his way through the vegetation of central Oaxaca. He’s 50, his back bent by years of hard physical labor.

Map of Oaxaca region in Mexico

Santiago has been cutting down wild agave since he was 7, when the succulents grew like weeds across the Oaxacan countryside. Then the outside world discovered mezcal, the spirit distilled from agave that has been produced here for at least 400 years.

On this particular day, like so many others, Santiago led a horse up the side of the mountain, swung his blade and loaded the animal with the first haul of the day. As the horse traipsed through the brush, the smell of the cut plants was sweet, vegetal, unmistakable: These agaves were ready to be distilled.

Unlike almost every other drink — whiskey, tequila, vodka — some of the world’s best mezcals are made from wild plants. But as demand rises — it surged 700 percent between 2015 and 2022, according to Mexico’s mezcal regulatory commission — harvesting the increasingly scarce specimens is a growing challenge.

Pablo Santiago Martínez searches the Oaxaca countryside for wild Agave marmorata, commonly known as Tepeztate. Since mezcal has boomed, wild Tepeztates have become more rare, and harvesters need to go farther into the mountains to find it.
Man uses a machete to cut a large tepeztate agave plant in the woods.
Pablo Santiago Martínez, whose family makes Mezcal Los Ocotales, cuts a wild marmorata agave commonly known as tepeztate.
A tall tepeztate agave stalk with yellow blooms rises above neighboring trees.
The tepeztate is in great commercial demand but its maturation period is the longest of all the species of agaves mezcaleros -- between 25 and 35 years in the wild.

Agaves are Daliesque, prehistoric looking things, with thick, thorny branches splayed in all directions. The belly of the plant — the piña — looks, indeed, like a giant pineapple. When mature, it weighs as much as 300 pounds.

For almost their entire lives, agaves are monochromatic and serpentine, as dry as the steppe on which they grow. But after 25 to 30 years, the plant suddenly shoots a flower toward the sky, a towering, bright-yellow steeple, the loudest flash of color for miles.

The anatomy of the agave plant.

In the Nahuatl language, the word mezcal means “cooked agave.”

Arroquenos agave plant is slightly taller than the average human adult

Arroqueños (Agave americana var. Oaxacensis), which grows to 10 feet tall, can take 20 to 30 years to mature. It’s known for producing mezcals with complex flavors — often mildly smoky, with notes of fruit and spice.

Tobala agave plant can be nearly half the height of the average adult human

Tobala (Agave potatorum or Agave seemanniana), a relatively small agave, prefers rocky soil at high altitudes, making it challenging to harvest. This “king of mezcals” produces a sweeter spirit, with floral, tropical and citrus fruit flavors.

The growing global market for mezcal has spurred a wild agave rush. Some species have effectively vanished. Harvesters now keep word of mature varietals — a few arroqueños hidden away in remote hills, a couple of tobala slung over a deep ravine — a closely held secret.

“The populations are disappearing little by little since they cannot regenerate adequately,” said Daniel Quezada Daniel, executive director of Mexico’s National Commission for Biodiversity. “Their scarcity leads to increased prices, and perversely leads to even further exploitation.”

Demand for mezcal, now a signifier of cool, has led American companies to buy land and distilleries in Oaxaca. Some have scoured the mountains and hills clean of wild agaves and seeded large plantations of espadín, the easiest agave to cultivate and the fastest to flower.

Those plantations are now producing some of the cheapest and — in many cases — least interesting mezcal.

But a small number of mezcaleros continue to work with wild agaves. They trek into the mountains, deeper each year as the plants get harder to find. Some are attempting to reforest the hill country — they collect seeds of endangered plants and scatter them in the wild. Others have launched efforts, still inconclusive, to domesticate wild varietals, which they are dubbing “semi-cultivated.”

Still others are fatalistic.

Foreign mezcal drinkers have adopted a taste for the wildest, scarcest agaves.

And as in any gold rush,

eventually

the raw material

will vanish.

Santiago grew up in the hills around Oaxaca de Juárez, a landscape dotted with wild agaves. It was the 1970s. Outside of Mexico, mezcal was mostly unknown.

Back in those days, it was impossible to imagine running out of the plants. Seven-year-old Santiago would climb the slopes to cut them.

He fashioned a machete out of a tree trunk and a loose silver blade.

Before an agave, he moved like a samurai. He knew where to strike the leaves; how to trim the piña. His skin toughened against the acidic pulp that the plant spat when cleaved.

He stopped growing at about 5-foot-3, but he needed no help lugging enormous agaves up mountains.

There was no money in mezcal then. It was consumed almost entirely locally — sold for around a dollar a liter to families for weddings and quinceañeras.

When he was 22, Santiago planned to cross the border illegally into the United States. Before he left San Dionisio, he sprinkled the ground outside his home with agave seeds, so that when he returned he would have mature plants.

The Los Ocotales plant nursery and distillery in the outskirts of San Dionisio Ocotepec.
Rows of young agave plants sprout in the field of the Ocotales nursery.
The Mezcal Ocotales nursery has different species. When the sprouts are big enough, they are transplanted in uncultivated lands around their town owned or rented by the family.
A close-up of a small Coyote agave plant. Leaves are bright green with pointed tips and sharp teeth along the leaf edge.
A planted Coyote maguey rests in the restoration fields of Mezcal Los Ocotales in the outskirts of San Dionisio Ocotepec.
A pile of piñas crowd the foreground, smoke billowing above them. A man with cloth around his face can be seen through the smoke.
Luis Armando Ziga, an agricultural engineer working with Mezcal Los Ocotales, places piñas over a fire before they are covered with dirt and roasted for hours at the palenque.

Back then, he didn’t know the word reforestation. He wasn’t thinking about creating an agave reserve.

It was a sentimental thing: When a plant takes more than two decades to grow, it’s as much a way to mark time as it is a source of sustenance.

He made his way to Indiana, where he worked at a Lowe’s warehouse. In California, he worked at a burger restaurant.

He always knew he would come back to Oaxaca. What he didn’t expect was his son’s pitch.

“I told him, ‘We should make our own mezcal brand,’” said Samuel Santiago, now 31.

The younger Santiago had studied business at the University of Oaxaca, funded with money his father sent from the United States. He presented ideas for how to market their mezcal and how to attract tourists to their palenque. He even had a name: Los Ocotales.

By then, much in the trade had changed. Sophisticated consumers abroad now distinguished among mezcals made from different agaves. They favored the rarest and wildest ones. And the agaves themselves were getting harder to find.

Researchers at the Autonomous University of Mexico found in 2022 that at least eight of the wild agaves that are used to produce mezcal, including tepeztate, were in decline.

“The main and most worrying threat is the growing demand for mezcal,” researcher Ignacio Torres-García wrote.

The mezcal boom built on wild agaves, he wrote, has failed to protect those plant populations “in a manner that would allow for regeneration.”

Pablo Santiago agreed to his son’s idea, reluctantly. But they built into their proposal a way they thought could preserve the threatened agave species. They weren’t entirely sure it would work.

The family leased a swath of farmland and, just as Santiago had decades earlier, scattered thousands of seeds across it.

It was the first step in the process of making their mezcal.

Making mezcal

The type of agave that’s used has a significant impact on the flavor profile of the mezcal. So does the process by which it’s produced.

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Glass jugs of mezcal sit in rows on a table. The wall behind the table is painted with various scenes, including figures of drinking mezcal from cups and gathering sap from a large green agave plant.
Glass jugs of mezcal produced over 15 years ago by Lorenzo Angeles, the father of Graciela and Edgar, rest in the cellar of Real Minero’s palenque. (Luis Antonio Rojas for The Washington Post)

Making mezcal

The type of agave that’s used has a significant impact on the flavor profile of the mezcal. So does the process by which it’s produced.

Illustration depicting the layers of material in the earthen pits used to cook agave.
Cooking agave for mezcal in earthen ovens (Illustration by Tucker Harris/The Washington Post)

Cooking

4-8 days

Cooking breaks the starches in the piñas down to simple sugars.

Typically, the piñas are roasted by wood fires in earthen or stone-lined pits. But some mezacaleros use aboveground ovens or autoclaves. Each method and heat source — the species of wood burned, for example — imparts different aromas and flavors to the mezcal.

Illustration of milling agave with a large stone wheel pulled by a horse.
Crushing agave with a large stone wheel pulled by a horse. (Illustration by Tucker Harris/The Washington Post)

Milling

1 day

Milling extracts the juices from the cooked piñas, making the sugars more accessible to the yeast and bacteria microorganisms that aid fermentation.

Some mezcaleros pulverize the piñas by hand, using mallets. Others crush them with a large stone wheel pulled by an animal or powered by electricity or gas. Still others use trapiche mills, wood chippers or hydraulic presses.

In a gray room, a large woven palm mat is propped up with polls and hides a wood tank from view.
Cooked and shredded piñas of agave ferment on wood tank covered by a palm mat at Real Minero’s palenque. (Luis Antonio Rojas for The Washington Post)
Illustration of man stirring milled agave in large wooden vats.
Fermenting milled agave in vats (Illustration by Tucker Harris/The Washington Post)

Fermentation

5 days to 2 weeks

The milled juices and fibrous pulp are poured into large vats, traditionally made of wood or stone. Water is added and the mixture is left to ferment.

Yeast and bacteria metabolize the sugars, producing alcohol, carbon dioxide and other chemical compounds that provide flavor and aroma.

Many mezcaleros use open-air vats that allow native microorganisms to access the agave. Commercially cultivated yeast provides more consistency, but the resulting mezcal can lack the unique flavor that a diversity of local, natural yeasts can provide.

The time fermentation takes depends on air temperature, altitude, humidity, the agave’s sugar content and other factors.

A close-up of clear liquid dripping from a reed stick into the spout of a white plastic jug.
Mezcal falls from a reed stick after condensing in the oven at Real Minero’s headquarters. (Luis Antonio Rojas for The Washington Post)
Illustration of distilling process: liquid in a pot being heated by wood fire. Condensed liquid drips down a tube from the pot to a container below.
Distilling fermented agave (Illustration by Tucker Harris/The Washington Post)

Distillation

Each distillation takes about 2 hours

Once fermented, the mixture is moved to a clay or copper still and heated by wood fires or natural gas.

As the temperature rises, liquid evaporates and cools in the still’s tubes or coils. The condensed liquid is extracted. Compounds that evaporate at lower temperatures, such as methanol, are discarded.

It’s the norm in Oaxaca to distill mezcal twice.

The legends are many. In one, mezcal flowed from the breasts of the Zapotec goddess Máyatl. In another, a goddess was herself turned into an agave plant. Some believe the drink was discovered when lightning struck an agave. In another legend, an opossum steals mezcal from a gang of demons and gifts it to mankind.

Now, new legends are circulating in New York and Tokyo and London and on internet message boards. Much modern mezcal lore is subjective, a reflection of the drinker’s experience: the way it makes you feel after a few glasses, the game it plays on the tongue, the perceived connection between the drinker and the plant.

Espadin agave plant can be slightly taller than the average height of an adult human

Espadin (Agave angustifolia Haw. var. angustifolia), a cultivated species, has a high sugar content and matures rapidly — seven to nine years — making it the workhorse of mezcal agaves. Espadin generally balances herbal notes, sweetness, citrus, and smokiness.

“It’s hard to believe all these flavors can be coaxed from the same ­variety of agave,” Kara Newman wrote in Wine Enthusiast.

Mezcal is now ubiquitous in cocktails served around the world: the mezcal negroni, the mezcal margarita, the mezcal mule. The city of Oaxaca overflows with mezcal bars, mezcal pub crawls, mezcal palenque tours. Even in southern Mexico, the phenomenon goes by its English name: El boom de mezcal.

Much of that boom is in espadín, an easy-to-cultivate agave that matures in seven to nine years. Now, in places such as Soledad Salinas, communities have razed entire villages to plant espadín to sell to large American mezcal producers.

But the most sought-after mezcals are made from the most sought-after agaves. They’re rare for a reason: If production continues apace, they won’t exist for long. But their rarity has so far been a draw.

“The Americans want the rarest, the most special mezcal in the world,” said Graciela Angeles, the director of the prestigious brand Real Minero. “It doesn’t matter to them what that means for the future of the agave.”

Espadin (Agave Augustfolia) is the fastest growing, easiest to cultivate and most efficiently distilled variety of Agave. Fields of cultivated Espandin cover large swaths of the land in Soledad Salinas, Oaxaca.
A large field of green-gray Espadin agave plants covers the side of a rocky mountain in the foreground. Rows of agave cover a potion of the next hilltop in view. More mountains can be seen in the distance.
Espadin crops lay on a deforested hill. This agave is the fastest growing variety, the easiest to cultivate and the most efficient when distilled, making it a favorite for mezcal production.
A man with a backpack stands on a rock in the foreground. Green espadin agave crops cover the hills behind him, with dirt roads zig-zagging through the fields.
Edgardo Mendoza, mayor of Soledad Salinas, shown with espadin crops.
A truck passes nearby with a large load of espadin piñas piled in the trailer. It is driving down a curving dirt road through an agave field. Mountains rise up in the background.
A truck carrying espadin piñas passes by deforested hills.

The call came in to Real Minero co-owner Edgar Angeles Carreño, Graciela’s brother. A friend of a friend in the village of Agua Blanca had some barril — a thin, spiny, rare agave — that were about to flower.

Barril agave plant can be 1.5 times taller than the average human adult

Barril (Agave karwinskii zucc) has a woody trunk that makes it valuable as firewood, and it is often used as living fences. Barril offer mezcal a bright, dry, citrus, and/or herbal notes.

“When you get that call, you go immediately,” Edgar Angeles said. “Otherwise someone else will buy it in an instant.”

The Angeles family has produced mezcal for four generations in Santa Catarina de las Minas, a mezcal mecca. They’ve watched demand, especially for the rarest varietals, soar.

The family has decided it will not try to increase production if it means depleting the wild agave population. But just continuing production of mezcal produced from uncommon plants has been a challenge. The calls announcing maturing plants have grown increasingly rare.

And so Angeles drove his red pickup deep into Oaxacan farmland. And there they were, scattered across the hills: the leaves of barril agaves shooting up through the brush. The plants take roughly 15 years to mature.

Edgar Angeles harvests Agave karwinskii around the crops of local farmers. Farmers typically plant karwinskii by the edges of their lands to use them as a barrier and sell them to mezcaleros when they mature.
A man in a red shirt and a straw hat holds a machete under a tree. Two other men appear to be working in the open field behind him. Half the field appears to be covered in wild agave.
David Vazques, a local farmer, sharpens his machete to cut agaves.
A large machete sits atop a tall agave piña that has had its leaves removed. Behind it, three men work to harvest additional agave plants.
Farmers usually plant agaves by the edges of their lands to use them a barrier due to their large shape, then sell them to maestros mezcaleros when they are mature enough.
Several tall agave piñas are piles horizontally on a scale. A man stands behind the scale, studying the weight.
Edgar Angeles weighs piñas brought by a local farmer.

Years ago, farmers grew agave varietals along the edges of their land to mark the boundaries of their property. Some of those plants can now be harvested.

The Angeles family has created a sophisticated laboratory where seeds are preserved and replanted in semi-wild conditions. It’s not, Edgar and Graciela know, a short-term solution: The seeds will take decades to mature.

“But it’s the only way we’ll be able to continue producing mezcal.”

For now, though, the most coveted versions of the spirit are still the products of long treks into the mountains, where the stalks of wild plants are spotted in the distance. They tower over the men who arrive with machetes, calculating in their heads how many liters the plant will be good for.

About this story

Story by Kevin Sieff. Photos by Luis Antonio Rojas. Design, development and illustrations by Tucker Harris. Video editing by Joseph Snell. Story editing by Matthew Hay Brown. Project editing by Reem Akkad. Photo editing by Olivier Laurent. Design editing by Joseph Moore. Copy editing by Brian French.