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In Tim Blake Nelson’s “Anesthesia,” bad faith has spared no one. The interlocking narrative features characters undergoing various degrees of self-deception as they navigate an increasingly complex modern world. The stellar cast — Sam Waterston, Kristen Stewart, Gretchen Moll, Mickey Sumner, Jessica Hecht, among others — bring Nelson’s vision of New York to life as they struggle with senseless violence, troubled marriages and technology that alienates more than it connects.
This is Nelson’s fifth directorial effort. He’s known for his penchant for character acting, but in person Nelson feels more like an enthusiastic PhD student. He speaks thoughtfully and deliberately; when he has a big point to make, he doesn’t hesitate to get off his chair to demonstrate. Indiewire sat down with him to discuss his philosophical film, which premiered at the 2015 Tribeca Film Festival.
On this movie, there was one actor who was really bright, but she disperses her energy. She walks around, and she gets up, and she smokes. So she came in, and the speech was all over the room. So I talked about how to use words in concrete ways. You’re not hammering or bludgeoning with these words, you’re cutting and incising and stabbing and puncturing. And it just got the performance down to a point. She is now focused in that speech. All that anger that was being sprayed, dispersed around the room, came right in. And that’s, to me, an organic way of talking with actors.
Well, I love my devices. I think we’ve gained a tremendous amount from them. The movie was photographed digitally, and many more people will see this movie because of satellites and digital advances and hand-held devices. I’d rather they see this movie in movie theaters, but I’m not naive. I’ve been interested in technology ever since college. I’ve always been interested in how we’re gradually becoming our original notion of the divine. So we can now destroy cities the way God did in the Bible. We can communicate face to face with these devices across the planet. We can fly from city to city. Perhaps in this century, we’re gonna achieve some form of immortality, through medical or computer advances. And yet, are the questions with which the thinkers before all that happened consumed themselves still valid ones? And that’s of course what Zara’s [Sam Waterston] lecture is about. That’s his whole point. He argues they are. That really is where technology comes into this movie. It’s not about a rejection of technology. Although Kristen’s character rejects technology, I personally don’t. I think she makes great points; I agree with her, that these devices teach us how to think. We can’t do anything without them. Where should we go to eat? Hold on. UrbanSpoon. Oh, here’s the rating, look at the menu. Oh, so-and-so goes there! A lot of what I love about the cities is dissipating.
Read More: Memo to Distributors: Buy These 10 Tribeca Film Festival Movies
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