Review: Bill Reid Gallery of Northwest Coast Art

So... Who is Bill Reid?
When you fly into the Vancouver International Airport, one of the most impressive things you’ll see is the stunning Spirit of Haida Gwaii, a large bronze sculpture featuring figures from Indigenous mythology—a raven, grizzly bear, eagle, killer whale, mouse woman, and others, all tucked into a dugout canoe. That sculpture is by the late Bill Reid, a master Haida carver, goldsmith, writer, broadcaster, and one of the most revered artists in British Columbia. For decades his pieces have been on display at institutions across Canada, and even graced the Canadian $20 bill. In 2008 a gallery dedicated to Reid’s work, and to the work of other Northwest Coast artists, opened in downtown Vancouver. Passersby could easily miss this gem, which is tucked away from the bustle of Burrard Street, but those who seek it out are handsomely rewarded.

Lovely! So what works are on display?
Front and center are works by Reid: exquisite and intricately carved jewelry, made from gold, silver, fossil, abalone shell, and other materials; whale lithographs on silk and paper; evocative "Killer Whale" (Jade patina) and wave base, cast in bronze; and a white onyx version of his famous sculpture "Raven and the First Men." (The far larger version, carved from yellow cedar, is on show at the Museum of Anthropology.) The collection also reflects Reid’s famous sense of humor, and includes a tiny tea set he made from blackboard chalk and nail polish as a gift for his little sister when he was just 12 years old—it's so small you have to peer at it through a magnifying glass. Also on show are works by other notable Indigenous artists, some who pay homage to Reid himself.

Anything else we should be sure to check out?
The non-permanent exhibit, which occupies a substantial chunk of the gallery, highlights contemporary Indigenous artists. On a recent visit, there was a fascinating exploration of the reawakening of cultural tattooing in the Northwest, plus a look at the woven artwork of Haida artist Jaad Kuujus.

What's the vibe inside the gallery?
The gallery is blissfully quiet, making for a welcome escape from the urban din. On a recent rainy weekend afternoon, we were among only a dozen or so people strolling through. The crowd draws locals and out-of-towners in equal parts, most of them couples quietly whispering observations into each other’s ears.

And what's the space like?
The gallery, a two-level space with an elevator and accessible bathrooms, is bright and open with plenty of room to maneuver, and there are benches at regular intervals. The main entrance on Burrard Street involves a flight of stairs, but there’s a wheelchair-accessible path between Christ Church Cathedral and Cathedral Place on Georgia Street.

Should we try to nab a spot on a tour if possible?
Tours are reserved for groups of 10 or more, but regular events—artist talks, workshops, readings—delve into everything from art-making practices to the dark legacy of Canada’s residential schools.

And how's the gift shop? Worth a stop on our way out?
The shop has the requisite postcards, sunglasses, water bottles, and other small gifts, but it’s refreshingly free of tourist trinkets. In their place are art pieces, art books, framed prints, Indigenous-themed kids’ books and art-making supplies, locally made bags and scarves, elegant handcrafted jewelry, beautiful glass bowls, and more.

What's our best bet for a bite to eat?
There isn’t a café, but the gallery is located downtown, with dozens of options just steps away.

Great. So just before we go, how long do you estimate this all takes?
You can see the museum in an hour, then explore Reid’s sculptures, carvings, and exquisite jewelry. Be sure to wander through the non-permanent exhibits and pop into the shop.